High Tide Sea Shanties
With the Misunderstood, Tony Hill co-wrote epochal psych-rock anthems like 'Children of the Sun'; however, while High Tide's sound has roots in the peace-and-love era, the band was also in tune with the post-psychedelic comedown at the decade's darker end. On Sea Shanties, there's nothing fey and flowery in Hill's bleak lyrics or his doomy Jim Morrison-like delivery, and psychedelia's melodic whimsy is supplanted by a physicality more in line with the visceral heft of metal progenitors such as Cream, Blue Cheer, and the Jeff Beck Group. Hill's grinding riffage and searing, effects-laden guitar pyrotechnics combine with the punishing rhythms of drummer Roger Hadden and bassist Pete Pavli to forge some of the heavier sounds to emerge from Britain in 1969: tracks like 'Futilist's Lament' are matched only by Led Zeppelin for sheer weight. High Tide weren't a power trio, though, and it was the interplay of Hill's guitar with Simon House's violin that created the band's unique signature. Showing that rock violin needn't be a marginal adornment, House whips up an aggressive edge that rivals the guitar: on the nine-minute 'Death Warmed Up,' House refuses to play second fiddle and matches Hill's scorching assault all the way, while on the album's other epic, 'Missing Out,' the violin generates a trance-inducing Eastern groove.
Sea Shanties is a hard rock music album recording by HIGH TIDE released in 1969 on CD, LP/Vinyl and/or cassette. This page includes HIGH TIDE Sea Shanties's: cover. High Tide - Sea Shanties (1969) 5 stars Metalised psychedelic rock, the music impacts like nuclear force and settles within you. Led Zep, Deep P, Black Sabbath and assorted bands where supposed to be heavy, but this stands alone (we are talking about 1969) as the predominant ultimate heavy metal attack.
High Tide Sea Shanties 1969 Rar Download
High Tide had the muscularity of a no-nonsense proto-metal band, but they also ventured into prog territory with changing time signatures and tempos, soft-hard dynamics, multi-part arrangements, and even some ornate faux-Baroque interludes. Indeed, 'Pushed, but Not Forgotten' and 'Walking Down Their Outlook' share common ground with King Crimson (especially Crimson's mid-'70s work with violinist David Cross). Far from the collection of nautical ditties its name suggests, Sea Shanties is an overlooked gem encapsulating the shifting musical currents in late-'60s British rock. Wilson Neate.
5 stars Metalised psychedelic rock, the music impacts like nuclear force and settles within you. Led Zep, Deep P, Black Sabbath and assorted bands where supposed to be heavy, but this stands alone (we are talking about 1969) as the predominant ultimate heavy metal attack. Even compared with regular (80's) Heavy Metal (Metallica, Iron Maiden) High Tide has been there, seen it and done it already.
Rougher, louder and better at it, if I may add. Entrenched deep within the psychedelic scene High Tide explores the field in a new direction, forcefull guitar riffing, high paced rhythms (and some slow paced passages thrown in for good measure) makes High Tide stand with one foot in late 60's psychedelica and the other in 80's heavy metal, everything passes by, from The Doors (Walking Down Their Outlook) Iron Maiden (Death Warmed Up), till Led Zeppelin combined with Arthur Brown (Futilist's Lament). This is one of those albums all must hear, certainly if you enjoy psychedelics and heavy metal, and like in my case preferably combined, Black Sabbath is great, this is better.
Tuxon 5/5 2008-2-23 progarchives.com. 5 stars High Tide's debut album, Sea Shanties, seriously is an underrated/unknown gem. This album is a great meld of early metal and psychedelic rock. Tony Hill wrote, sang and played guitar on every track here, and he is the reason why Sea Shanties is my personal favorite guitar album of all-time.
This guy absolutely shreds on most of the tracks here. The opening track, 'Futilist's Lament', starts things off in a blaze of glory, but the next track, 'Death Warmed Up', is not only the album's crowning achievement, but possibly the group's as well. It features Hill's full-fledged guitar assault take on the violin of a very talented Simon House. This song is a choatic, freaked out masterpiece. Things settle down with the atmospheric 'Pushed, But Not Forgotten', and the awesome 'Walking Down Their Outlook'.
The next track,'Missing Out' has some rather weak vocals from Tony Hill, but the jamming he and House does on this song more than makes up for it. The album closes with 'Nowhere', which is a dramatic and fine way to end this terrific album. The interplay with Hill's guitar and House's violin is heard all throughout the ablum, and is one of Sea Shanties awesome qualities. The rhythm section consisting of drummer Roger Hadden and bassist Peter Pavli is solid, as these guys are better than your average drummer and bassist in my opinion.
Sea Shanties, along with the group who made the album, should not be overlooked. Kyle 5/5 2006-12-11 progarchives.com. Excellent addition to any prog rock music collection Studio Album, released in 1969 Tracks Listing 1. Futilist's Lament (5:17) 2. Death Warmed Up (9:08) 3.
Pushed, But Not Forgotten (4:43) 4. Walkin Down Their Outlook (4:58) 5. Missing Out (9:38) 6. Nowhere (5:54) Bonus tracks on 2006 remastered edition: 7. The Great Universal Protection Racket (11:24) 8. Dilemma (5:14) 9. Kamus bahasa inggris lengkap pdf to word. Death Warmed Up (demo) (7:35) 10.
Pushed, But Not Forgotten (demo) (4:01) 11. Time Gauges (6:24) Musicians - Roger Hadden / drums - Tony Hill / guitar, vocals - Simon House / violin, programming, piano - Peter Pavli / bass Releases information LP Liberty LBS 83264 / CD Eclectic Discs (2006) with bonus tracks.
High Tide Sea Shanties Full
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